Robert Lindsey-Nassif’s ‘Opal’ based on real girl’s diaries

Photo Alisabeth Von Presley

Robert Lindsey-Nassif’s Opal will be presented at CSPS on Friday and Saturday Jan. 31 & Feb 1, and Feb 7 & 8 at 8 pm. The musical is based on the magical and mysterious diary of seven-year-old Opal Whiteley — an aristocratic princess who was orphaned in a shipwreck and placed in a rugged Oregon lumber camp. There she wrote an enchanting and moving journal about her first year in a strange new world.

Who Was Opal Whiteley?

Adapted from Opal Whiteley: The Unsolved Mystery
By Elizabeth Bradburne Lawrence

Opal lived in the home of a lumberman and his wife in the woods of Oregon at the turn of the 20th century, where she wrote her childhood diary on scraps of paper – brown paper bags, the backs of envelopes – anything she could get hold of.

After leaving University, she wrote a nature book, which she took to the Atlantic Monthly hoping it might be published. The editor was intrigued by Opal’s vivid childhood recollections and asked her if she had kept a diary.

The diary had been torn up, but Opal had kept the pieces. She painstakingly put them together and it was published in 1920, in America and England. Then it was forgotten, until introduced by a B.B.C. broadcast forty years later. [Elizabeth Bradburne Lawrence was the B.B.C. journalist who rediscovered the diary and the diarist.]

In the meantime, Opal’s attention had been drawn to a number of French words and phrases in her diary. Eventually she came to feel that her real father had been Prince Henri D’Orleans, the one-time heir to what would have been the throne of France.

Since then, she has been known in England as Princesse Françoise Marie de Bourbon Orleans. She died in February 1992, in a hospital near London, where she lived well into her nineties, still certain that her father was Henri D’Orleans and that her name was Françoise.

The importance of Opal and her diary is not the mystery of who she was, fascinating as this is, but in the insight her diary gives into the inner life of childhood.
Elizabeth Bradburne Lawrence was a radio journalist for the British Broadcasting Company and a renowned expert in childhood development, authoring two series of reading books that were the standard teaching system throughout Britain.

My Friend, Opal Whiteley (Françoise D’Orleans)
By Robert Lindsey-Nassif

I knew Françoise D’Orleans (as Opal preferred to be called) for the last 12 years of her life. I visited her many times and spent countless hours with her talking about her past and her remarkable diary – a book that changed my life and led me on a great adventure.

It all began when a family friend telephoned one day in the 1980s. She was laughing and crying at the same time and said she just finished reading a wonderful book – a diary written by a young girl in and Oregon lumber camp in 1904. She read me some passages and I was utterly smitten. My Opal odyssey had begun.

I found out that Coe College had a copy of the diary, as originally published by the Atlantic Monthly in 1920. I borrowed and photocopied the diary, spending the next year cutting and pasting pages together to create a dramatic narrative. The musical led me to New York, where I acquired the dramatic rights to the British copyright of the diary and sought out producers.

Meantime, I discovered to my amazement that Françoise was still alive and living in a care center in England, north of London. I made the pilgrimage to meet the diarist – having no inkling that it would be the first of many trips. (It was easy and relatively inexpensive to catch a standby flight to London from New York City.) During these many visits, Françoise and I would sit together for hours, while her caregivers often thoughtfully offered us tea and biscuits, as she told me about her diary and her astonishing life. I asked her many questions and played her songs from my musical, which she called my “opera.” Whenever I was due for a visit, Françoise would announce to her nurses, “Robert from New York is coming. Robert with the moustache!” I would bring her chocolates, fruit, and teddy bears. She was petite, gentile, and regal – receiving me warmly but with dignity and composure – every bit the aristocrat I believe her to be. Françoise became a dear friend, as did her solicitor and her biographer, who helped arrange for me to eventually have actual pages of the diary, which I cherish to this day.

During one of my trips, I visited the Honorable Mrs. Douglas Woodruff, who had known Françoise since the 1930s. My sister accompanied me. She met Mrs. Woodruff’s nephew, Richard Acton (later Lord Acton), and married him within a year.

My musical Opal won the Richard Rodgers Award (the selection committee was chairman was Stephen Sondheim), which provided funding for a New York production. Opal opened at the Lamb’s Theatre just off Times Square in 1992, where it received four Outer Critics Circle Award nominations and subsequently the AT&T Award. Sadly, Françoise died during the rehearsals for the off-Broadway production. My brother-in-law read a eulogy at her funeral.

After the New York production, the Shubert Organization presented Opal at the George St. Playhouse and Broadway director/choreographer Lynne Taylor-Corbett premiered a new production in Dallas. Opal published by Samuel French, Inc. and has had performances around the country. Tonight’s production is the premier of a new version.

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